cisotti laube
Biagio Cisotti Architect
Sandra Laube Industrial Designer
Studio Cisotti Laube was founded in 1992. The office has established its reputation in various fields of design ranging from furniture and objects to exhibition and graphic design. Cisotti Laube is collaborating with some of the leading names in the International design industry. Both are involved in design didactics teaching in important design Institutes (ISIA, Instituto per le Industrie Artistiche, Firenze,- University of Industrial Design, Firenze, -Polimoda, Firenze, -FIT Fashion Institute of Technology, New York).
Several of Cisotti Laube’s products have received international design awards and form part of the permanent collections of prestigious museums.
Museum für Angewandte Kunst, Frankfurt (D)
Triennale Design Museum, Milano (I)
Museum of Decorative Arts and Design in Gent (B)
Museum of Design in Cape Town (ZA)
Groninger Museum, Groningen (NL)
Vestlandske Kunstindustrimuseet, Bergen (N)
In 1996 they had their own exhibition “Wohnperspektiven” in Rottweil, Germany.
Triennale Design Museum, Milano (I)
Museum of Decorative Arts and Design in Gent (B)
Museum of Design in Cape Town (ZA)
Groninger Museum, Groningen (NL)
Vestlandske Kunstindustrimuseet, Bergen (N)
In 1996 they had their own exhibition “Wohnperspektiven” in Rottweil, Germany.
They have been awarded:
2000
FORMA FORUM Design Price , Bozen (I)
2004
1° price at the Interior Innovation Award Cologne (D),
2004
Best of NeoCon® Innovation Award (USA),
2004
ADI Design Index (I)
2004
CATAS Award (I).
2000
FORMA FORUM Design Price , Bozen (I)
2004
1° price at the Interior Innovation Award Cologne (D),
2004
Best of NeoCon® Innovation Award (USA),
2004
ADI Design Index (I)
2004
CATAS Award (I).
For us, good Design is more than a simple matter of shape or nice “packaging”. We think that true design transfuses the totality of the product and is integral to the process of creation.
Design focused products should be conscious, typical examples of the time and culture they belong to. The objects which surround us should materially translate everything that belongs to us: our thoughts, our fears, our dreams.Being concerned with design means relying on objects to suggest new lifestyles, new ways of living and moving.
The aesthetics and technology inherent in new materials represents an extraordinary opportunity, not only to improve the comfort of the object, but to improve on it’s expressiveness. In so far as considering tecnology doesn’t mean only a constraint, while enriching the creative process.
Finally we believe that objects play a communicative role through all their components: there is no shape without a surface, which, in turn, results from the material, which depends on the technology used.
Design focused products should be conscious, typical examples of the time and culture they belong to. The objects which surround us should materially translate everything that belongs to us: our thoughts, our fears, our dreams.Being concerned with design means relying on objects to suggest new lifestyles, new ways of living and moving.
The aesthetics and technology inherent in new materials represents an extraordinary opportunity, not only to improve the comfort of the object, but to improve on it’s expressiveness. In so far as considering tecnology doesn’t mean only a constraint, while enriching the creative process.
Finally we believe that objects play a communicative role through all their components: there is no shape without a surface, which, in turn, results from the material, which depends on the technology used.
